Caribbean Export Promotes the Caribbean’s Orange Economy in Kenya

Raising the profile of the Caribbean’s orange economy (also known as the creative economy), exchanging best practices, innovation and cultivating relations was the focus of the recently held mission of the Caribbean Export Development Agency to the 9th African Caribbean and Pacific Group of States (ACP) Summit of Heads of State and Government which took place from 9th to 10th December 2019 in Nairobi, Kenya.

Caribbean Export staged a fashion showcase in collaboration with the ACP Secretariat where 80 designers from 20 countries of the Caribbean, the Pacific and Africa presented under the patronage of the Honourable Mia Amor Mottley, Prime Minister of Barbados on the evening of the 7th of December.

Prime Minister Mottley stressed the importance of initiatives such as this to the promotion and popularisation of creatives in order to raise capital and investment, stating, “We hope that we can create the logistical framework that will allow the trading to take place so that we don’t only marvel at the beauty of the designs, but we can ensure that the economics that will support the sale of the designs can make the businesses sustainable.”

Anthony Bradshaw, Officer in Charge – Caribbean Export Development Agency together with The Hon. Mia Amor Mottley, Prime Minister of Barbados

Hon. Mottley continued, “We now need to popularise it and we now need to ensure that access to working capital is always there for our artists, because for most artists they don’t have the collateral to go and access funding from the banks in order to be able to expand production.” 

In a separate interview, Mr. Anthony Bradshaw, Caribbean Export’s Officer in Charge explained, “Participating in activities of this magnitude is critical for us as a development agency.  We have to ensure that the Caribbean is well positioned within the African, Caribbean and Pacific grouping and that the great contribution the region’s private sector is making towards our economic development is not only recognised and acknowledged but also supported by legislative frameworks.”

The ACP Fashion Show curated by Rodney Powers of the Caribbean Market Center and Socrates McKinney of Dominicana Moda, presented pieces from the Caribbean Fashion Showroom and the collection created during the Agency’s Caribbean Fashion Accelerator Pt 2 programme.  One of the highlights of the show was the collection of contemporary shirts from the Dominican Association of Chacabana Producers (ACHADOM) which attracted a lot of interest from the male dignitaries in attendance.

In addition to the ACP Fashion Show, Caribbean Export presented their initiatives supported by the CARIFORUM Directorate and the European Union under the 11th EDF Regional Private Sector Development and Haiti-Dominican Republic Bi-National Programmes within the ACP Business Village including the work of “Manos Dominicanas”, a programme of the Vice President of the Dominican Republic,  H.E. Margarita Cedeño, which supports the economic empowerment of women through the design, creation and selling of craft products.

This event also showcased the talent of other ACP regions via the participation of the Fashion Council of Fiji, made possible by the Pacific Island Forum, and the Congolese-Italian company Samboue.

This fashion extravaganza presented a practical example of intra-ACP and ACP-EU collaboration, showing how culture can unite our countries while securing a better future for our people.  

CURACAO iGUIDE LAUNCHED: A ‘ONE STOP SHOP’ FOR INVESTMENT INFORMATION

Curacao is the newest country to launch an iGuide, or online investment guide, with the support of the United Nations Conference on Trade and Development (UNCTAD), the Caribbean Export Development Agency (Caribbean Export), the Caribbean Association of Investment Promotion Agencies (CAIPA), the European Union and the Ministry of Economic Development in Curacao.

The iGuide, launched on Monday, is an online repository of information on the opportunities and conditions for investment in Curacao. iGuides are a joint product of UNCTAD and the International Chamber of Commerce. 

Speaking at the launch event, President of CAIPA, Ms. Tessa Jacques noted, “This iGuide for Curacao, is the fourth one that we have launched in the Caribbean so far. We are very pleased to be working with UNCTAD and Caribbean Export for the development of eight iGuides for the Caribbean region. We have so far launched the iGuides for St. Lucia, St. Vincent & the Grenadines and Jamaica, during the last three months.”

“We look forward to launching the iGuides for Barbados, St. Kitts & Nevis, the Turks and Caicos Islands and Trinidad & Tobago in 2020,” added Ms. Jacques.

The Minister for Economic Development of Curacao, Ms. Giselle McWilliam highlighted the significant benefit of the iGuide to Curacao, noting, “Curacao as a small island, needs to work hard and invest a lot to be captured and discovered by potential investors. We need to compete with other islands, cities, countries and continents. So, when UNCTAD offered us the opportunity to join the iGuide platform, we accepted immediately. Through such an important international organization like UNCTAD and [CAIPA], we are assured of broad coverage, to capture attention worldwide and regionally.”

This position was supported by the Executive Director of the Curaçao Investment & Export Promotion Agency (CINEX), Ramon Koffijerg, who said, “Many are already familiar with the Investment Guide of CINEX, where all the detailed information is available, online and in hard copy, explaining the investment benefits of Curacao. However, what makes the UNCTAD iGuide very special to us, is the value it carries given the endorsement of the United Nations. This not only adds the element of respect, trust and validity to the information we share, but more so expands our reach into networks we would not have been able to tap into. on our own, as a small island in the Caribbean.”

“Investors are reticent to invest without adequate information,” explained Suzette Hudson, Snr. Advisor, Investment Promotion, Caribbean Export, adding, “It is our hope to have iGuides developed for all the countries that we support as an Agency. In this way, we would have created information ‘one stop shops’ for investors, improving the business climate in the Caribbean by reducing the time and the costs that investors face in trying to secure information from various sources.”

The iGuide for Curacao can be found at:  https://www.theiguides.org/public-docs/guides/curacao

Caribbean SIDs Focus Attention On Facilitating SDG Investment

Caribbean small island developing states, or SIDs, were exposed to key strategies in attracting and facilitating investment into projects that seek to achieve the sustainable development goals (SDGs), at a recent seminar titled: ‘Facilitating Investment in SDG-Projects’, held in St. Kitts from November 26-28.

The 17 SDGs, adopted in 2015 by the United Nations member states, are strategies focused on peace and prosperity, preservation of oceans and forests, and are also meant to end poverty. These strategies include improving health and education, reducing inequality and spurring economic growth.

Forty delegates attended the regional seminar which covered topics including the strengthening of value chains in the region to support the attainment of the SDGs, the importance of partnerships to achieve the goals, as well as the role of Special Economic Zones and innovative modalities of financing SDG projects. The importance of attracting investment that considers issues such as gender equality and linkages to the domestic economy were also covered, along with the relevance of international investment agreements to the Caribbean.

The seminar was hosted by the Caribbean Export Development Agency (Caribbean Export), secretariat for the Caribbean Association of Investment Promotion Agencies (CAIPA), in collaboration with the United Nations Conference on Trade and Development (UNCTAD), and the St. Kitts Investment Promotion Agency (SKIPA).

Speaking at the opening ceremony, the Deputy Prime Minister of the Federation of St. Kitts and Nevis, the Honourable Shawn Richards, noted that the Caribbean SIDs face significant challenges including vulnerability to exogenous shocks, climate change and the socio-economic impact of brain drain.

From left to right: Paul Wessendorp, Chief, Investment Promotion Section, Division on Investment and Enterprise, UNCTAD; Jasemin Weekes, Caribbean Export Board Member for St. Kitts and Nevis; Hon. Shawn Richards, Deputy Prime Minister of St. Kitts & Nevis; Tessa Jacques, President of CAIPA

“Resilience building must…be our developmental priority as part of a multi-faceted plan that includes climate adaptation and economic diversification” the Deputy Prime Minister noted. He added “It makes sense therefore that the small island developing states of the Caribbean focus on attracting investments that do not increase our vulnerabilities or jeopardize the sustainable use of our natural resources.”

This position was supported by the President of CAIPA, Ms. Tessa Jacques, who indicated that, “It is the intention of CAIPA to play its part in ensuring that our members attract investment that will meet the needs of today, while safeguarding the ability of future Caribbean generations to meet their own needs.”

“Our Agency has…been at the forefront regionally in creating the partnerships needed to support the achievement of our sustainable development goals as a region” noted Ms. Jasemin Weekes, the St. Kitts and Nevis Board member for Caribbean Export, in reference to the cooperation forged with CAIPA and UNCTAD, among other regional and international agencies. “These relationships have strengthened our capacity to deliver on our mandate as an export and investment promotion agency and will support our achievement of the SDGs as a region.”

The event was deemed timely by UNCTAD, given the falloff by 32-percent in foreign direct investment (FDI) flows to the Caribbean in 2018 relative to the previous year. Mr. Paul Wessendorp, Chief of the Investment Promotion Section in the Division on Investment and Enterprise at UNCTAD shared the findings of UNCTAD’s 2019 World Investment Report, that FDI in small island developing states “remains fragile and dependent on a few capital-intensive projects…in construction, as well as hotels and tourism”. Further, “FDI is the largest source of external finance for developing countries and as such, has the potential to create higher skilled employment, access to technology and international markets and can help achieve the SDGs. It is our aim to offer support to countries, in particular the SIDs given their special vulnerabilities, in the attraction and facilitation of projects that will meet their SDGs. We are particularly pleased to have worked with Caribbean Export and CAIPA in making this event a reality.”

The 3-day event welcomed 40 key delegates from across the region and saw the signing of a Memorandum of Understanding (MOU) between CAIPA and the Caribbean Agribusiness Association to forge relations to collaborate for the attraction of investment into the high-tech agriculture sector.

The seminar ended with the hosting of the CAIPA Annual General Assembly, which focused the attention of the Caribbean investment promotion agencies on the continued collaboration with UNCTAD, the definition of a CAIPA 2020 work plan and the development of a financial sustainability strategy for the Association.

The event was funded by the European Union under the 11th European Development Fund Regional Private Sector Development Programme and UNCTAD.

Participating countries included: Anguilla, Antigua and Barbuda, Barbados, Belize, Bonaire, the British Virgin Islands, Curaçao, Dominica, the Dominican Republic, Grenada, Guyana, Haiti, Jamaica, Montserrat, St. Kitts and Nevis, Saint Lucia, St. Maarten, St. Vincent and the Grenadines, Trinidad and Tobago and the Turks and Caicos Islands.

Caribbean Export Supports Regional Artist to Leverage the Digital Music Industry

The billion-dollar Global music industry has changed rapidly over the past 10 years alone.  Some may argue that the digital age has made it that much more accessible with social media platforms supporting artist and new music discovery.  However, the introduction of streaming shook up the industry causing adaptation and change to enable artists capitalise through the monetize digital music.  

YouTube along with other social media platforms has birthed stars allowing unknown artists to reach parts of the world they couldn’t imagine and creating a demand or following for their music long before any record label picked them up.  But how do artists get discovered online?  And how can the Caribbean musicians leverage digital platforms to export their music globally?

These are some of the questions the Caribbean Export Development Agency (Caribbean Export) is attempting to answer with its Business of Music (BOM) programme.  “Understanding of the digital music industry is imperative if an artist is going to succeed and the Business of Music training programme aims to build the capacity of artists, managers, producers and those involved in the music industry” informed Allyson Francis, Services Specialist at Caribbean Export.

Since 2017, the Agency has worked with Business Support Organisations (BSOs) specifically the Coalition on Services Industries (CSIs) from across the region to enable those involved in the industry to participate in BOM sessions via the online self-learning platform, and face to face workshops.  A  new dimension to this training was the instructor led webinars. Over 120 people have participated in these initiatives thus far and most recently, the Agency held a two-day workshop in collaboration with COSCAP (Copyright Society of Composers, Authors and Publishers Inc.) and the National Cultural Foundation (NCF) and the ‘knowledge company’ Music Ally Ltd in Barbados.

The workshop welcomed twenty-three (23) participants from nine Caribbean countries who gained insight on topics such as the mystery of YouTube’s algorithm and how to optimise it; how to develop a lean and mean online campaign; how to leverage tools such as Chartmetric amongst others.  Participants also performed digital health checks to get a better understanding of how they or their artists are viewed online and increase their understanding of how their music can be discovered.

“This isn’t an age now where you can simply sit back and relax and hope that people get involved with you and your music simply by making music available.  You’ve got to be regularly interacting with people” stressed the CEO and Co-founder of Music Ally Ltd – Paul Brindley.

“You have to go where the music fan is so that means making sure that all of those channels are absolutely properly optimised, so your Youtube, Spotify, all the social media platforms and make sure they are all linked together” he continued.  “Make the music fans life as easy as possible and so think through the eyes of the music fan and think, how are they going to discover me?”

“Our managers, musicians, artists need to leverage the tools that are out there and do everything they can to increase their chances of being discovered” commented Francis.  “At Caribbean Export we are committed to providing the necessary support, but we can only take you so far.”

One participant from Saint Lucia Akeem Anderson, artist and producer from Onel Sound Productions summed up his experience, “The last two days have been nothing but beneficial.  The majority of us who have been in attendance are pretty much individuals who have gotten our feet wet already in the business and in the industry.  We’re getting some gigs, we’ve had some success, we have a little bit of notoriety.  However, the information that they’ve disseminated is going to allow us to chisel in our characteristics and our skills, honing in on our good qualities and strengths and maximise our resources however limited or expansive that they may be in to reaching not just a regional audience but also an international audience and getting the revenue we desire for our work and our intellectual property”.

Caribbean IPA’s To Make Investment Opportunities More Attractive To Foreign Investors

The packaging and promotion of any product or service is critical to attract customers and gain sales.  The same is true for investment opportunities.  The Caribbean Export Development Agency (Caribbean Export), in partnership with the Caribbean Association of Investment Promotion Agencies (CAIPA) and the United Nations Industrial Development Organisation (UNIDO) recently hosted a training workshop in the British Virgin Islands (BVI) focused on improving the quality of investment project information to make them more attractive to potential investors.

From left: UNIDO Trainer – Dr. Umesh Menon, Suzette Hudson, Senior Advisor – Investment Promotion (Caribbean Export), Junior Minister Sharie de Castro, Lizette George – Policy Advisor in the Office of the Premier (BVI)

The 5-day training workshop was delivered by UNIDO with a focus on enhancing the capacity of the Investment Promotion Agencies (IPAs) to better identify investment opportunities, as well as the formulation and appraisal of investment projects. “The need of developing countries in upgrading local skills and capabilities in the preparation and appraisal of pre-investment studies, calls for appropriate capacity building support, including adequate human resource development,” notes Dr. Umesh Menon, UNIDO trainer for the workshop.

The 22 Caribbean participants from 16 Caribbean territories were trained in the use of the flagship software of UNIDO – Computer Model for Feasibility Analysis and Reporting (COMFAR III Expert- Basic Version). COMFAR facilitates the fast computation of financial statements needed for financial and economic appraisal of investment projects. The software can be used for small- to large-scale projects, expansion, rehabilitation and modernization of existing enterprises and joint ventures.

Commenting at the opening of the workshop, the Jr. Minister for Trade & Economic Development of the BVI, Sharie B. de Castro, shared that, “The BVI is in the process of establishing our Trade and Investment Promotion Agency. It is important to us to develop a core group of professionals who are well versed in investment project identification, preparation and appraisal. This will ultimately lead to well-planned investment projects and prudent investment decisions.”

“Caribbean Export is committed to enhancing the knowledge and skills of the IPAs of the Caribbean,” commented Suzette Hudson, Senior Advisor in Investment Promotion at the Agency. “This training forms part of a broader collaborative framework that CAIPA and UNIDO have established with the aim to provide investment monitoring and promotion support to IPAs in the region and strengthen regional investment promotion efforts.

The workshop was funded by the European Union via the 11th European Development Fund, Regional Private Sector Development Programme and the European Development Fund/Intra-ACP Private Sector Development Facilities and Programmes.

Participating countries included: Anguilla, Antigua and Barbuda, Barbados, Belize, the British Virgin Islands, Dominica, the Dominican Republic, Grenada, Haiti, Jamaica, Montserrat, St. Kitts and Nevis, Saint Lucia, St. Vincent and the Grenadines, Trinidad and Tobago and the Turks and Caicos Islands.       

$3.5 million BBD to Support Firms to Export and Grow

  • $3.5 million BBD has been allocated to CARIFORUM Firms
  • 55 companies will receive grants of up to $66,000 BBD
  • Funds have been provided by the European Union via the 11th EDF Regional Private Sector Development Programme

The Caribbean Export Development Agency (Caribbean Export) in cooperation with the European Union has awarded over $3.5M BBD (€1.5M) under their 2nd Call for Proposals for the Direct Assistance Grant Scheme (DAGS).  

The 2nd call for proposals was launched in April of this year and the Agency received 104 grant proposal applications from across the region and fifty-five (55) proposals have been approved for grant funding.

“It is widely acknowledged that the most significant impediment noted by CARIFORUM business when it comes to business development and expansion is the lack of access to finance” informed Damie Sinanan – Manager, Competitiveness and Export Promotion at Caribbean Export.  “The Direct Assistance Grant Scheme aims specifically to tackle this issue to enable more companies to export and grow.”

The total grant funding awarded to CARIFORUM firms under the 11th EDF now stands at over $8.3M BBD or €3.7M and the Agency intends to award more grants in the upcoming year.

Grant funding has been used for a range of projects including food safety certification, equipment modernisation to enable increased production, marketing and branding, product development amongst others.

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Oliver wins over Invest SVG judges with her Olive Art Designs brand

Oliver wins over Invest SVG  judges with her Olive Art Designs brand

In 2009, Christal Oliver breathed life into her fashion accessory brand Olive Art Designs (OAD) as she sat in a laboratory at the St. Vincent Girls’ High School stitching together her first bag. Fast forward a decade, and Christal is breathing new life and history into OAD, as the winner of Invest SVG’s inaugural ‘Pitch It Vincy’ initiative.

Last Tuesday, October 29, the Glen resident held off stiff competition from six other finalists to gain the judges’ nod as overall winner – receiving a cash prize of US$2,000 and, probably most importantly, mentorship from industry experts to help grow her business.

“It feels surreal,” mused Christal. “It’s a lot more than a business win. It’s a personal win because it means that I have successfully overcome a few things that were holding back my progress. Developing the right mindset for success and positivity isn’t an easy feat!”

The 28-year-old entrepreneur was one of many Vincentians who applied when the Angel Investing initiative was launched by Invest SVG in June 2019. Seven finalists were shortlisted in August 2019, and from that point onward, they received expert training through group and one-on-one sessions.

Finalists also took part in a mock pitch event that saw them pitching to local high net-worth business owners, who provided constructive feedback. Christal recalled that the feedback they received during the mock pitch and training sessions was “vital” to their preparations for the final. “The feedback was honest and, at times, we may not have liked what was said; but it was what we needed to hear before going in.”

She expressed deep gratitude to the staff at Invest SVG, Caribbean Export Development Agency (CEDA) and everyone else who contributed to the preparation period for the finalists. Despite the various challenges faced by the finalists, Christal said it was an overall positive experience because it boosted their confidence and raised awareness of their brands.

“I entered Pitch It Vincy because I saw an opportunity for investment. In St Vincent and the Grenadines, small business owners face difficulty in acquiring capital for their ideas – especially if they don’t have collateral. I believed in my product and I felt that even if I didn’t win, whatever came from it would be exactly what I needed for OAD at this moment,” she explained.

Oliver wins over Invest SVG  judges with her Olive Art Designs brand
(From left): McHale Andrew (independent consultant and OECS country advisor for Caribbean Business Angels Network); Andy Thorne (owner/founder of Kestrel Liner Agencies Ltd and British entrepreneur); Christal Oliver (Pitch It Vincy 2019 winner); Jeanelle Murray-Noel (Operations Officer, Caribbean Export Development Agency); Reuben John (chartered accountant and Senior Partner at BDO Eastern Caribbean); Nicholas Brisbane, managing partner at O’Garro and Alvanga Architectural Services – St. Kitts & Nevis; entrepreneur)

Christal is a past student of the St Vincent Girls’ High School and the St Vincent and the Grenadines Community College. She worked at the CIBC FirstCaribbean International Bank as a Customer Service Representative for seven years and was the second runner-up in the 2017 Miss SVG pageant. Currently, she is a co-host on the Wake-Up Call morning programme on Xtreme FM radio station; and is “very involved” in the Epic Sounds Steel Orchestra and the Youlou Pan Movement.

“I can’t wait to see what’s around the corner for OAD!” enthused Christal.

She divulged that within hours of winning Pitch It Vincy 2019, several opportunities have been presented to her – some of which she is not at liberty to share just yet.

“Investors have expressed interest in the business… It’s only a matter of shaking hands and coming to a final agreement. I’m confident that it’s only going to get better from here. I’m never going to give up!”

Christal added: “If someone had told me 10 years ago, while I was eagerly stitching that first bag at GHS, that I would win the first Pitch It Vincy… be a fashion accessory designer and have my own business, I would have laughed and walked the other way.”

She encourages all Vincentian entrepreneurs to take part in Pitch It Vincy 2020, and to start preparing as soon as possible – instead of waiting for the application period to open. Her advice includes: creating a milestone chart with a list of company goals; getting business accounts in order; conduct proper market research; be open-minded and willing to take advice; and gather a support system of people who genuinely care about your success.

Christal also shared that she intends to make OAD an “internationally recognized brand” within the next five years.

“St Vincent and the Grenadines will be known as the origin of one of the best fashion accessory brands in the world and the company will have at least one other brand under its wing.

I’m not sure how it’s going to be, but it will happen!”

This article was originally published on the Searchlight website

Jamaica Launches Online Investment Guide

Jamaica has joined 28 other nations, including several Caribbean states, that have developed online investment guides (iGuides).

These facilities are repositories of information for local and foreign investors interested in doing business in the respective countries.

Work to develop the guides was led by local stakeholders, principally countries’ investment promotion agencies in several instances, in collaboration with the United Nations Conference on Trade and Development (UNCTAD), which is headquartered in Geneva, Switzerland.

Jamaica Promotions Corporation (JAMPRO) spearheaded development of the country’s iGuide, which also involved inputs from the Caribbean Association of Investment Promotion Agencies (CAIPA), and the Caribbean Export Development Agency (CEDA).

The information, which is hosted on UNCTAD’s website, can also be accessed on JAMPRO’s platform from any location globally.

Jamaica’s Investment Guide (iGuide) Project Consultant, Michelle Frederick Johnson (left) converses with Jamaica Promotions Corporation (JAMPRO) president, Diane Edwards (centre) ; and the United Nations Conference on Trade and Development (UNCTAD) Economist, Ian Richards, during the iGuide’s recent launch at JAMPRO’s Head Office In New Kingston.

It facilitates a comparison of Jamaica as an investment destination, alongside other countries globally.

The iGuide is intended to provide investors with information at their fingertips that will help them in their decisions to invest in Jamaica.

Among the focus areas are manufacturing, agri-business, energy, the creative industries, the knowledge sectors, mining, tourism, and the Logistics Hub Initiative (LHI) and the partner Special Economic Zone (SEZ) framework.

A foreign translation feature has also been incorporated to facilitate ease of communication.

The iGuide was formally launched and symbolically handed over recently to JAMPRO President, Diane Edwards, by UNCTAD Economist, Ian Richards, who spearheads the overall investment guide programme.

The agency will serve as the facility’s custodian and will be responsible for, among other things, keeping the site’s information up to date.

The presentation was made during a brief ceremony at JAMPRO’s head office in New Kingston.

Ms. Edwards, who is CAIPA’s Immediate Past President, said the iGuide is an important tool and welcome addition to investment promotion in Jamaica.

Noting that the local investment climate is “extremely positive”, she said the iGuide “is going to take that information out to the world in a form that is really using best practice”.

Ms. Edwards assured that as the country’s national investment and promotion agency, JAMPRO remains committed to improving the business environment.

“Our constant focus is on how do we make it easier for people to do business in Jamaica… . How do we make the business environment more open and how do we make businesses feel more welcome in Jamaica. All of that is important to us,” she said.

Ms. Edwards noted that JAMPRO serves as the Secretariat for the National Competitiveness Council, which manages Jamaica’s business environment reform agenda, intended to ensure that businesses feel the difference that this undertaking is going to make for them.

Jamaica Special Economic Zone Authority (JSEZA) Chief Executive Officer, Dr. Eric Deans (second left) greets United Nations Conference on Trade and Development (UNCTAD) Economist, Ian Richards during a recent ceremony at Jamaica Promotions Corporation’s (JAMPRO) Head Office in New Kingston to launch Jamaica’s Investment Guide (iGuide). Others (from left) are iGuide Project Consultant, Michelle Frederick Johnson; and JAMPRO President, Diane Edwards.

“Already we see that they are feeling it, because Jamaica recently jumped four places in the [World Bank’s] Doing Business Report, to number 71 out of 140 countries,” she added.

Ms. Edwards encouraged stakeholder interests to utilise the guide and disseminate it “as much as possible”.

“We think it has really good information. We want you to tell everyone about it… that it is a tool, not only for foreign businesses, but for local businesses to use to develop their business cases and present their projects,” she said.

For his part, Mr. Richards said UNCTAD’s aim and role in advancing the iGuide “is really to support the Government in implementing Vision 2030 Jamaica as part of the UN’s overall development assistance framework”.

This, he noted, is being done in tandem with the other UN and international organisations in Jamaica.

“We know that it has been a difficult time for the region, according to the UNCTAD data, in terms of attracting foreign direct investments. But for Jamaica, I think these are very exciting times,” he said.

Of note, Mr. Richards said, is the Logistics Hub Initiative and accompanying Special Economic Zones.

“We are very excited by that because, given all that Jamaica already has – a good business infrastructure, a supportive government, a good education system, good market access – this will provide spillovers, linkages and opportunities for many different sectors in Jamaica… particularly new sectors… and will also lead to more jobs, more wealth, and more development for the country. So, that’s very important for us,” he added.

The UNCTAD Executive said the organisation is “very happy” to be working with JAMPRO and other stakeholders, to attract and facilitate investment for the “new, exciting and promising sectors in Jamaica”.

Other Caribbean states that he said have developed investment guides are Antigua and Barbuda, St. Vincent and the Grenadines, and St. Lucia.

“We will be launching one for Curaçao in November next, and early next year, we will be launching iGuides in Barbados and St. Kitts,” Mrs. Richards further informed.

The extent of the platform’s development also incorporates countries in Asia and Africa, among other locations.

This article was originally published on the Jamaica Information Service website

Fashion Accelerator Workshop Prepared Designers for Export

Regional fashion designers who participated in the Caribbean Fashion Accelerator pt2 programme had nothing but praise for the intense training they received.

They shared their thoughts at the recently concluded International Fashion Festival (IFF), held at the Hilton Barbados Resort, where they showcased runway grabbing designs.  Collectively, they said the experience helped to sharpen their technical skills and exposed them to international standards.

The workshop was organized by the Caribbean Export Development Agency, in cooperation with the European Union and the Caribbean Market Center and was the follow-up to an initial accelerator workshop held in May 2019. It was facilitated by Sandra Carr, one of the pioneers of the Caribbean Academy of Fashion and Design at the University of Trinidad and Tobago. She has also worked with global brands, Calvin Klein and Valentino.

Sixteen designers from Barbados, Haiti, Jamaica, St. Vincent and the Grenadines, and Trinidad and Tobago participated. The two-week workshop focused on brand development and refining the designers’ products for the export market. Designers were required to collaborate and develop a collection to premiere at the IFF.  Ahead of their runway show the designers received feedback and critique from fashion industry experts Sharifa Murdock, co-founder and owner of Liberty Fairs; Ouigi Theodore, founder of the Brooklyn Circus; Danielle Cooper, a fashion influencer and Channing Hargrove, a Fashion writer for Refinery 29.

Designers receive expert advice and direction on their collections ahead of the IFF2019 runway show

Barbadian Carla Gittens and Jamaican Moses Fenell, former reality stars of the television show Mission Catwalk, produced a line called Maison de Lori et Moses. According to Carla, “It is classy chic with an essence of swag, that could fit ladies from 18 to 35 years.”

During the two weeks, they learnt about mood boards, colour, fabric and international finishing techniques. Describing the programme as “very hands-on”, they also cut patterns, sewed and created brand packaging.

Moses believed the training will help with his goal to export limited edition pieces of his personal brand, House of Fenell, throughout the Commonwealth.  For Carla, the Fashion Accelerator confirmed that if she wanted her brand ‘Killuh Pieces’ to go global, she needed put a team in place.

“I learnt a few tricks. The workshop helped me in getting my brand up to international standards in finishing and creating designs for individual customers and retail outlet buyers. But the most important thing I learnt is you can’t do everything by yourself if you are moving into the international market.  For 2020 I am looking into small scale manufacturing and I definitely need a team,” she noted.

Haitian designer David Andre said although he has been in the industry for 21 years, he eagerly said yes to participating in the Caribbean Fashion Accelerator programme. He believed there was always something new to learn and likened the workshop to the television show, Project Runway. “We were a bunch of designers who didn’t know each other, and we had to share ideas to build a collection, so it was very profitable in terms of what we learnt,” he said.

David described Ms. Carr as a “very talented woman with a big heart” from whom he picked up several clues on garment finishes for international markets. He thanked Caribbean Export for continuing to support the regional fashion. He added that Caribbean Export helped to opened new markets for his ready-to-wear and resort lines.

Vincentian fashion designer, Kimon Baptiste-St. Rose of Kimmysticclo, referred to the Caribbean Fashion Accelerator Programme as a “very intense two-week bootcamp”.  Stressing she gained tremendously from the experience, she explained: “It helped me to be more aware about the steps I need to take in becoming export ready. I sell throughout the Caribbean, but I would like for my brand to be international.” Thanking Caribbean Export, she called for greater emphasis going forward to be placed on helping regional designers locate manufacturing facilities for small scale production.

Designer Laurette Pierre, known for bridal wear and accessories, was invited to the programme by Invest SVG, the investment promotions agency of St. Vincent and the Grenadines. Not expecting to do an entire collection and to learn such a wide variety of things, Laurette admitted the workshop was hectic but worth it.

“I am going take everything I learnt and apply it to my work. I learnt a lot from the instructor and things I never really knew. It is hard especially where finishing the product is concerned because it takes a lot of time but it was worth it. I enjoyed the experience, it was very educational,” she said.

Laurette collaborated with Barbadian Alyssa Goddard to produce a structured yet chic semi-casual collection. Alyssa, owner of Cambria Costumes and Designs, disclosed it was her first time working so closely with another designer but said her partner was fun.

Alyssa, who dreams of making costumes for movies, found out about the Fashion Accelerator while working at the 4th CARIFORUM EU-Business Forum in Germany. Having completed the two-week session, she said: “It was very informative, but it was difficult given that the time frame was shorter than any time I ever had to work with before. But I learnt a lot, Ms. Carr is an amazing teacher. I mainly learnt construction techniques that I didn’t know before and that helps in getting my garments to an international standard, something that was very important to me.”

UNESCO and CARIFORUM to host discussions on policies for balanced trade flows in culture between the Caribbean and European Union

UNESCO and CARIFORUM will organize panel discussions on culture and trade in Bridgetown, Barbados on 5 November 2019. The event marks the launch of “Culture in the CARIFORUM-EU Economic Partnership Agreement – Rebalancing trade flows between Europe and the Caribbean?”, the first impact study on this landmark EPA concluded in 2008, with a dedicated Protocol on Cultural Cooperation.

Cultural and creative industries possess an immense potential to contribute to the region’s long-term economic growth through employment of young people and cultural content productions. The representation of Caribbean cultural products on the global stage, however, is limited. In 2014, as reported in UNESCO’s Global Report Re|Shaping Cultural Policies (2018),Global South countries accounted for only 26.5% of global cultural exports. The public debates, titled Create|2030, will explore ways to establish a more balanced cultural trade and improved mobility for artists in the Caribbean. Cultural trade experts on the panel will examine the future of creative industries and their role in the Caribbean’s sustainable development. Artists and cultural professionals are invited to attend and share their insights and perspective.

The event will also present the main findings of the impact study funded by the UNESCO-Aschberg Programme for Artists and Cultural Professionals and guided by the principles of the Convention on the Protection and Promotion of the Diversity of Cultural Expressions (2005). The research has revealed that the Agreement’s cultural protocol, which grants Caribbean creative workers and their creations a preferential and simplified access to the EU market, has not yet resulted in a more balanced relationship between the two regions’ cultural and creative industries. Despite significant commitments undertaken by the EU, there is currently no dedicated funding or cultural cooperation programme to implement the cultural provisions and benefit the artists. Discussions will therefore focus on unexplored opportunities arising from Article 16 of the UNESCO’s 2005 Convention, the inspiration for the EPA’s cultural protocol, which calls on developed countries to provide “preferential treatment for developing countries” and their artists through various initiatives such as special visas for artists and cultural workers from developing countries or audio-visual coproduction schemes.

Percival Marie, Director General of CARIFORUM, Ambassador Daniela Tramacere, Head of the European Union Delegation to Barbados, Eastern Caribbean States, OECS and CARICOM/CARIFORUM, and Danielle Cliche, UNESCO Chief of Diversity of Cultural Expressions and Secretary of the 2005 Convention, will deliver remarks.


Event website: http://bit.ly/cariativity

As seating is limited, please RSVP by 3 November to Andrea Richards at a.richards@unesco.org

Interview opportunities with UNESCO representatives and international cultural trade experts are available to media professionals. To schedule an interview, please contact a.richards@unesco.org

Caribbean fashion designs set Niger ablaze

By Kenton X. Chance

NIAMEY, Niger (CMC) — Outfits, handbags, shoes and accessories from a number of Caribbean designers and a self-taught Nigerien designer generated a buzz at a fashion show here on Saturday night.

The show was held as part of the fifth meeting of Ministers of Culture from the 79-member African, Caribbean and Pacific (ACP) group of states at a time when the bloc is focusing on the potential contribution of culture to national development.

The Caribbean designs came from the French-, Spanish- and English-speaking countries and were brought together by Caribbean Fashion Showroom, which dubs itself “the home for the region’s leading designers”.

The event was organised by the Barbados-based Caribbean Export Development Agency (Caribbean Export) in collaboration with the Brussels-based secretariat of the ACP.

“What we have seen today is the true collaboration between Africa and the Caribbean, promoting fashion, promoting handicraft, promoting talent and culture from our countries,” Escipión J. Oliveira, deputy executive director of the Caribbean Export Development Agency, told the Caribbean Media Corporation (CMC) after the event.

He said his agency took advantage of the opportunity of the four-day meeting, which ended on Sunday, “to present to our African brother and sisters and also Pacific brothers and sisters that we can collaborate to gain markets”.

Oliveira said that what patrons saw on the catwalk was the result of a collaboration between a large cross-section of Caribbean artisans who make outfits, accessories, shoes and handbags.

“This is just a sample but we are working together with the European Union and with the Caribbean Forum (CARIFORUM) directorate to promote competitiveness of our small and medium-size enterprises.”

Caribbean fashion on display in Niger on Saturday. (CMC Photo)

The show was held at a time when the ACP is focusing on the potential of culture and its expression as a contributor to the development of its member countries.

“And the fashion industry and the jewellery industry is part of the culture industry and is part of the things that we can show the world and promote our culture and we can promote our talent,” Oliveira told CMC.

He said that while it is the first time that his agency is collaborating with the ACP secretariat, Caribbean Fashion Showroom participated this year in the Caribbean Festival of Arts (CARIFESTA), the region’s premier cultural festival.

Oliveira told CMC that Caribbean Export has also been with the Guyana-based CARICOM Secretariat and the CARIFORUM directorate promoting the Caribbean.

“This is the first time we’ve come to Africa but it certainly not be the last,” he said, adding that the reception was “extraordinary”.

Caribbean fashion on display in Niger on Saturday. (CMC Photo)

Hadiza Amadou, the 34-year-old Nigerien designer whose pieces graced the runway at the show, told CMC the event was a great adventure for her.

“It was the first time that I had a show with somebody who is not from my country and it was so great for me because I learned so many things from Rodney and his team,” she said, speaking of Rodney Powers of Caribbean Fashion Showroom, who is also a fashion consultant to Caribbean Export and co-ordinated Saturday’s show.

Amadou said she presented traditional designs from seven regions in Niger, but was “just wowed” by the Caribbean designs.

“I saw that they were more advanced than us, but I just told myself it’s not the same tradition that we have. Everybody liked it and it was very, very beautiful — from the jewellery to the bags, to the accessories, to the shoes and the clothes, everybody was so great and so beautiful,” she told CMC.

It was quite obvious from the murmurs at Saturday’s show that some of the Caribbean designs were too revealing for some members of the audience.

One of Amadou’s creations is showcased in Niger on Saturday. (iWN photo)

“There were many reactions to the clothes that are not — they call it extravagant,” Amadou told CMC, noting religious and other traditions in Niger that frown on women wearing revealing clothes.

She said that the Caribbean designs could have a future in Niger, as things are changing.

“It’s changing positively because five years ago we couldn’t have the show that we had last night with the Caribbean, but today we did it and everybody saw the photos and they said it’s beautiful. So I think are going to change and it (Caribbean designs) has a future here.”

Amadou has been a designer for 10 years and since then has been having an annual show on March 8 — International Women’s Day — attracting some 3,000 patrons each year.

“So I have many customers from outside of African, inside Africa, Europe, USA. So I can tell that people like what I do and people encourage me a lot.”

The show was intended to showcase talent with a view to creating economic opportunities for the designers, a point that Oliveira emphasised.

“I hope that this brings sales, because, at the end of the day, the artist and their designers are to make a living,” Oliveira said, adding that his agency participated in the two-day meeting of technical experts that formed part of the four-day conference here, and made the point that people working in culture have to make a decent living.

Caribbean fashion on display in Niger on Saturday. (CMC Photo)

“And a decent living, they are going to obtain it through selling their talent and through accessing markets. The idea is that this fashion showcase will allow Caribbean talent to be exposed to the world and, hopefully, bring about greater wealth to our countries, bring about greater employment and sustainable development to the countries.

“We are trying to develop culture in a business-like way as to allow our cultural entrepreneurs to make a decent living, contribute to financing the states, through paying taxes, employing people and reaching sustainable development through a joint work, and it has been wonderful experience,” Oliveira told CMC.

“We are very small countries but we have a big heart and we have big talent and we should be able with that talent, with that competitiveness, together, to reach markets, niche markets,” he said, adding that his agency is focusing on niche markets that are high value-added.

“We are not looking at all for cheap products or big quantities We are looking for specific niche markets, specific niche markets that we actually reach with the quality of our people, with the quality of our handicraft and industry to penetrate those markets for the benefit of all of our people.”

Rodney Powers of Caribbean Fashion Room, left, and Nigerian designer Hadiza Amadou co-ordinated Saturday’s show. (CMC photo)

Meanwhile, Rodney Powers said that as a result of Saturday’s event, Caribbean Fashion Showcase was invited to participate in Seychelles’ fashion week.

“Our collaboration with Africa, as the Caribbean, is very, very important. It is the motherland, as you are aware, so, for us, it is important that we collaborate,” Powers told CMC, adding that the showcase excited the patrons at Saturday’s event.

“They were applauding the quality of the world, the designs, the design concept,” Powers said, noting that he sees the Caribbean as having significant potential in the fashion market in Africa.

“I mean the Caribbean is bursting with colour, it is busting with glamour, style, aesthetic, also as Africa. For them to be able to see Caribbean people doing what they do, they are embracing colour, they are embracing style, the level of uniqueness, the consistency, for me, I think it was fantastic; the response was amazing.”

The models who displayed the fashion items all came from Niger.

“We trained the models, we did some workshops with them before we went straight into the show and for me it was good. They enjoyed it, they showed us a lot of love and appreciation and we are happy to collaborate with them,” Powers said.

Amadou, too, welcomed the Caribbean-Africa fashion collaboration.

“Africa need more collaboration from the rest of the world because we need to have the experiences of others; we need to see how they do the things; we need to learn from them because many things are done just by people [opting] to do things. But we need to have some mentors to show us the way,” she told CMC.

This article was originally published on iWitness News

Accelerating Caribbean Fashion Pt2

Earlier this year twenty (20) designers participated in the Caribbean Fashion Accelerator jointly funded by the Caribbean Export Development Agency (Caribbean Export) in cooperation with the European Union and the Caribbean Development Bank (CDB). Caribbean Export provides support for the development of the regions cultural and creative industries as part of the implementation of the Regional Private Sector Development Programme funded by the 11th EDF.  The Bank’s funding is through its Cultural and Creative Industries Innovation Fund (CIIF).

Led by Sandra Carr, one of the pioneers of the Caribbean Academy of Fashion and Design at the University of Trinidad and Tobago the bootcamp workshop focused on refining the designer’s products for the export market; identifying where best to place their products and how to develop their brands.  It also looked at leveraging social media platforms and developing the right market strategy.

One of the key take-aways from this workshop was the collaboration between the designers to develop new pieces.  The Caribbean Fashion Accelerator pt2 has been developed in partnership with the National Cultural Foundation (NCF) of Barbados, Invest SVG and Caribbean Market Center and is focused on building upon these skills and developing the designer’s product packaging.  Over the period October 14 – 24, 2019 sixteen (16) participating designers from Barbados, Haiti, Jamaica, Saint Vincent and the Grenadines and Trinidad and Tobago, including a number of whom would have participated in the first edition, will get to learn first-hand from Carr.

At the opening of the workshop Ms Carr encouraged the designers to work together and to be open to what they were about to learn.

“We had the Caribbean Fashion Showroom at CARIFESTA XIV and the response was remarkable.  Within the booth, we had a collection of clothes designed by the participants of the 1st Accelerator and many people were interested in purchasing the collections.  This is a clear indication of what is possible when designers collaborate and produce high quality work” shared Ms. Carr.   

“The fashion accelerator is an important initiative for Caribbean Export.  Ensuring that designers are skilled to develop collections that can be exported is central to this initiative and under the guidance of Ms. Carr and the support of the Caribbean Market Center” expressed Allyson Francis, Services Specialist at Caribbean Export.

The Caribbean Market Center based in Newton, Barbados is the region’s only fashion training centre designed to train globally recognised CVQs and NVQs.

Caribbean Export launched the Caribbean Fashion Showroom, an online shop that promotes Caribbean designers internationally and was the brain child of Rodney Powers – fashion consultant for Caribbean Export and Director at the Caribbean Market Center, “Caribbean Market Center is pleased to collaborate with Caribbean Export and support the development of the region’s fashion industry.  The Caribbean Fashion Showroom provides a platform for the new creations that are developed by the participants of the accelerator programme and give an additional outlet for the export of fashion,” informed Mr. Powers.

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